Katie Basbagill: Photographer, Explorer, High-Five Extraordinaire
I got my start in the arts when I discovered how easily red and orange crayon glided onto white walls. My dad’s band practice room was my first and favorite gallery space and my love of photography and stories started shortly thereafter. I would spend countless hours turning the cellophane pages of old family photo albums and asking my mother about each photo.
As a college student, I pursued a Bachelor of Science in Communications and afterward decided to focus on my preferred method of creative expression - photography. So, I started Bohemian Red Images to combine my love of photography, stories, and life.
My photographic approach tends toward an unconventional, bohemian feel that seeks to capture accurate stories as they unfold. I'd describe it as a mix of natural expressions layered against colorful and textured backgrounds and details. (The ‘Red’ in Bohemian Red Images in a reference to my hair color).
Last year, as a fun side project I coordinated a large scale art installation for the Indianapolis Public Library that focused on IndyGo bus drivers - inspired by the international Inside Out Project. It was incredible to see the smiles on the faces of bus drivers as they viewed 45 large scale portraits of their colleagues prominently displayed on one of Indy's busiest streets. Pro tip: Using wheat paste on the library will require a long series of pressure washings to remove.
In addition to hanging with bus drivers, I have nearly 10 years of experience documenting international human rights stories around the world; I have been incredibly fortunate to partner with top-notch organizations in doing so. I have worked on an Anti-Human Trafficking project in Thailand and photographed poverty's impact in India, Haiti, Costa Rica, Zimbabwe, and Nepal. My most recent foray took me to Nicaragua to document the inequalities of the trade system for coffee (I'm an advisor for Project Alianza, now!) then onto India to document the injustice widows face in the rural south.
It's been humbling to work alongside of numerous refugee and immigrant focused organizations, especially those based in my home town of Indianapolis. Through collaboration, the stories of Burmese refugees and displaced Pakistani people were independently published as photo books to raise funds and provide community civic service opportunities.
My extensive involvement documenting the global water crisis has emphasized the multifaceted impact that access to clean water can have on a community; it has simultaneously taught me some of my biggest life lessons. Nearly a billion people in our world don't have access to clean water and I have a problem with that. Spending time documenting stories in places like Colombia, Swaziland, Ethiopia, Uganda, Kenya and India has taught me that water truly is life.
After a lot of traveling, observing, reading, photo documenting and asking questions, I began to notice the various connections between poverty, conflict, human rights violations, and injustice. Then one day, as I sat in a hut in rural Swaziland with a dear friend and his mother whose body was ravaged by HIV/AIDS, I decided that I wanted to study the mechanisms that drive that type of injustice in the world. I realized that being sad about something was different from taking action to change it from happening in the first place. So, I moved to San Diego from Indianapolis and recently began my MA in Conflict Analysis and Peace Studies at the University of San Diego's Kroc Institute for Peace and Justice. I also gave away my ice scraper because I won't be needing that anymore. My aim is to develop a greater understanding of the drivers of conflict so I can better capture and highlight stories of human similarities that traverse culture, religion and conflict.
I'm a self appointed high-five expert. I tend to read non-fiction, love post-it notes, and I take my nail polish pretty seriously. I prefer my bourbon neat, my coffee black, and my music with banjos.
Feel free to contact me with any questions you have.